![]() Or the delicate attention spent on the dark, fragile branches. As you delve below the beautifully colored surface, try not to get lost in the subtle variations of texture given to the choppy waters. ![]() This Jim Lee variant cover for DARK NIGHTS: METAL #2, (seen above, with and without color), really grants insight into the importance of a strong foundation. From the dark void behind, to the smoky grey wisps of eldritch energy, this piece is practically 3D! I am continually amazed by the thousands of tiny lines used to create this immense range of shading. The suit jacket fabric that you can touch. JL posseses an uncanny ability to create texture that you can actually feel. Jim Lee – How to draw Superhero Anatomy and Dynamic Figures Observe the cool and casual patience while producing this level of complex cross hatching. Jim Lee maintains an ongoing interactive tutorial where viewers can observe his step-by-step process. This illustration is electrifying, and demonstrates all of the things needed for the front covers of our A-List superheroes. Again, Lee’s masterful control of perspective propells our hero like a lightning bolt. However, not applying too much muscle, JL effectively presents “superspeed” without the bulk. Usually allot thinner, Jim took a risk by equipping The Flash with this classic, broad shouldered build. This explosive snapshot of The Scarlett Speedster is bonafide proof of that. Can you feel the trajectory of this charge as it advances from center-left to bottom-right? Add the chaos of that swirling rope to the wind-tunnel pencil strokes and this becomes a truly dizzying experience.Īny character Jim Lee illustrates instantly becomes larger than life. It’s amazing how Jim Lee can craft the illusion of movement. Although the monstrous Man-Bat dwarfs Harley Quinn in size, both characters are completely in proportion to themselves. Jim Lee thrives in shrinking anatomy from the foreground to the back. Lacking in this department will spell certain doom. With sky surfing action like this, capturing perspective is a necessary skill for any comic book penciller. Feast your eyes out on this visual buffet of pure pencil perfection and delicious dynamic movement. Jim Lee, born August 11, 1964, is a Korean American artist and Chief Creative Officer at DC Comics.
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